My Bloody Valentine - To Here Knows When - Loveless
#PRISM und #Xkeyscore beeinflussen weiter stark auch den dt. Wahlkampf.
Photo with 52 notes
Participatory democracy is a two way street. Our online efforts are already causing changes in Congress. By rallying this Sunday, we are sending a very loud message to our Representatives that to earn our trust they must restore the Fourth Amendment, and support the passage of legislation to revoke the NSA’s authorization to conduct mass surveillance of US and foreign citizens.
Learn more about what you can do on and after August 4th
Evil clown (I know, he doesn’t look so evil). #clown #sketch #sketchbook #sketching #AmateurArtist #markers #paper
Doris Norton: “Machine Language”
From the album Artificial Intelligence (1985)
Italian-born composer-producer Doris Norton is one of the unheralded champions of early electronica. Norton’s music from the 1980s occupies the stylistic intersection of synth-pop, industrial, and techno music.
Long before launching a solo career, Norton was the voice of the Italian progressive rock band Jacula, led by her husband, Antonio Bartoccetti. The group released two albums in 1969 and 1972. Norton’s own work began to appear in the 1980s. Some of her earliest tracks, such as “Eightoeight” and “Underground” (both 1980), with their syncopated drum machines and clockwork sequencer lines, strikingly anticipate what would later be known as techno. (These tracks bear comparison to Charanjit Singh’s legendary 1983 record Ten Ragas to a Disco Beat).
Norton’s mid-decade releases are classic musical documents of the dawn of the PC era. She embraced the personal computer as a musical instrument uniquely capable of realizing her artistic visions:
In the late sixties I had already conceived computers as “personal.” I have always trusted in the benefits of solitude; [being] alone means freedom… What’s better than a “personal” computer for materializing ideas, by oneself? [source]
Albums such as Personal Computer (1984) were sponsored by Apple (and featured the company’s logo prominently on the cover) while Artificial Intelligence (1985) was purportedly created entirely via computer keyboard, whence the MIDI information was fed to a Roland JX-8P synthesizer. Later albums Automatic Feeling (1986) and The Double Side of Science (1990) were underwritten by IBM.
While the beat-oriented style of Norton’s music aligns her with such global fellow-travelers as Yellow Magic Orchestra and Kraftwerk, her championing of the PC as a tool for self-sufficient musical creativity also connects her to more artsy musicians such as Pietro Grossi, Laurie Spiegel, and the League of Automatic Music Composers. Norton’s predilection for the bright, glossy timbres of early digital instruments also recalls Hubert Bognermayr and Harald Zuschrader’s bizarre 1982 one-off Erdenklang.
While her music remains largely out of print and inaccessible, Norton’s early records have recently begun to receive the inevitable rediscovery treatment. Her 1981 album Raptus was re-released in 2011 by Italian label Black Widow Records, and her other albums from the early 80s are likely soon to follow.
Sad Clowns favorite lamp gets broken #sadclown #sad #clown #cartoon #greglabold #comics
Cats really do have a way of breaking things.
I work at a library, and today I was going through our microfilm collection of old newspaper archives to find an obituary for a patron, when I stumbled upon this picture from the April 20th, 1933 edition of Florence, SC’s “Morning News”. I don’t remember specifically what the story was about (something to the effect of “comedy troupe celebrates birthday fun!”), but I was taken aback by the photo’s unintentional macabre and thought I’d share. Have a nice day!
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